Cinema Camera
When it comes to cinema camera, years ago the only options were Arri or Red cinema cameras, but as the years went by some new options became available like the Canon c series, Sony FX series or the Panasonics. In the recent years DSLR's followed by mirrorless cameras became a second option for B cameras from which shots were found equally good in terms of color depth and resolution. Then the option of external recorders have become another best option after Atomos introduced their Ninja and Shogun series which even film makers using cinema cameras have started using because they could shoot in RAW and professional color depth which is more than 8 bit color. This gave them enough color depth of 10 bit, 12 bit or 16 bits and the flexibility of RAW files which came out of cinema cameras. After this, film makers began to realize that shooting with an Atomos recorder means recording content directly in ProRes unlike shooting in cinema cameras which requires conversion from native formats of the Red or Arri which after conversion comes to the same ProRes format. So nowadays many film makers have switched to assembled Rigs by which you could use a good sensor from any camera and record on to the Atomos and get professional quality outputs good enough for cinema screens or other purposes which require professional quality footage for post production.